Wednesday, November 23, 2011

Salt Water & Stars

"There's more, you know," he says. I turn my head to look at him for a moment, but I say nothing, and then I look back up at the sky. "Than this, I mean," he continues, as if my silence indicates confusion which he must fix. He waits for me to respond, but I don't; at least, not until he opens his mouth to say more. At that point I interrupt his train of thought by saying, "We don't need more." These words startle him, throw him off, and he hesitates before asking, "What do you mean?" I turn to him and say, "I mean we don't need more. This is enough." I look up at the universe again, and watch as a shooting star flies across our galaxy, oblivious to the terror it is hovering above. "This is enough," I repeat again, but even to me, the words sound slightly forced, like water is slightly forced down your throat when you swallow pills with it. "What is enough?" he asks, his voice loud and bordering on angry, and I turn and see the fire in his eyes which first made me hesitate to walk past him. Sometimes, when his eyes are like this, I almost convince myself that it's real– that this is reality, and the distant memories which constantly tickle me are only rembrandts of incomplete dreams lost in waking. "What is enough? What could possibly be enough, when there's nothing left?" I am staring at the stars again as I say, "There's you." I pause, squinting at what might be a constellation, and then add, "There's me." Finally, I turn towards him again, and I set my face and murmur in the best tone I can muster, "There's us." He stares at me for only a moment before pulling me toward him, and I let myself go limp in his arms as he kisses me, a tanginess playing on my tongue and a saltiness stirring the muscles in my cheeks and reminding me of the salt-water taste which used to set my mouth on fire; the chill of the lips which used to send shivers down my spine. He pulls away from me with a bit of a gasp and stares at me for a moment before nodding, looking back up at the stars, and saying, "You're right. This is enough." But now my eyes are focused on a cracked point in the pavement, and my mind is yelling, there's more out there, you know. I swallow and look back at him, and for a moment all I see is the face of the boy with the salt-water in his mouth, before the vision fades and he's just him again.

There's got to be more.


© 2011

Chucks



She was staring at her shoes.

They were Chucks, beat up old things; hightops, black, with poetry written on the rim.

She glanced over at my shoes.

They were also Chucks, brand new; lowtops, white, with my initals written on the toes.

She looked back at her own shoes and then out ahead of us, at the road. She never said a word, not the whole time we sat there, not even when she psychoanalyzed our shoes.

"I'm sure he'll be here any minute now," I told her, pushing back my hair in a swift motion, standing up and staring down the road as if I could see his car now, just turning 'round the corner. "Sure, sure," she said, nodding, looking back down at her shoes. Those were the first words she'd said to me all day, not including "Morning". I stared at her for a moment and then looked back down the road, squinting my eyes to see, with the sun shining right at me. "Any idea where we'll be going?" I ask her, scuffing the road with my shoes and taking into account the way she takes into account the black marks now contaminating my once-perfect white Chuck Taylors. She shrugs and plays with the latch of the suitcase she's resting on. I squint at her now, and finally say, "Boy, you sure don't say a heck of a lot, do ya?" She looks up at me, slight amusement showing on her squinted eyes, "Naw, not much."

"I wonder how that'll be."

"Whaddaya mean?"

"I mean livin' with Paul and you, your being so gosh darn quiet all the time, and all." She grins, finally, at this. "It'll be swell, I'm sure. Not much disturbin' I can do to the two of ya if I'm quiet all the time, is there?" Kid's got a point, there. One time, Paul brought in this homeless kid Joan, and she'd come in danglin' her cigs and tappin' the ashes out all over everything, and she'd tell you these long, rambling stories about hardly anything at all that would leave you exhausted; by the time you reached the end. Paul's that type, see. He's always gotta be helpin' someone or other, and we travel so darn much, he can't join any of those fancy helpin'-people groups or nothin', nor do we have the kind of cash to be just givin' it out, ya know, so he just takes people in– which makes no sense, really, seein' as we never own the places he lets people stay at, and we're only there long enough to take 'em in long enough to bother the Dickins out of me; rather than actually makin' any sorta change in the person's life. At least they get a roof over their heads for a while, though, and food in their mouths. I guess that's all Paul really wants– to give 'em that.

This girl isn't like Joan, though, or most of the others we've let in– certainly nothin' like Cane, the last guy who stayed with us. Boy, was he a fruitcake. He could really drive ya nuts, that guy. I'm pretty sure he oughta be in one o' them institutions, or somethin' of the like. I was honest real scared some nights; I never left my bedroom door unlocked. One day, though, he just up and disappeared. And this girl here, Cathryn, her name is, she was the next recruit.

She's the first one ever to move with us. People usually like to stay put, though I can't imagine why, if they ain't got a house or a job or nothin' in the area. Even if they wanna move, though, they usually don't wanna come with us. We go all sorts of strange places, and even the homeless have standards, I guess.

Not this girl, though. She's been with Paul three weeks now (I had to visit my mom, see, so I only just met her today)– not too much, but we've been awful busy, and so we're moving now, even though Paul usually likes to stay in one place for a month at least– he thinks any less doesn't count as real charity, isn't really helpful to our boarder. But we really needed to get movin', this time, and when Paul regretfully told Cathryn this, she shrugged and asked if she could come with us.

I honest thought Paul was into her, when he first brought her home. She's real pretty, is the thing. We've had a few girls before– Joan, I mentioned, plus Tabby and Erica. But none of them were lookers, not at all. And none of them were interested in us, either.

But Cathryn. She's a real looker, I gotta admit. I was convinced, when Paul came home with her tailing his heels, that he'd found himself a lady. I wasn't too unhappy about that, neither: heneeded to get himself a lady, he really did. He's one of those lonely guys; see. Always takin' out this dumb old acoustic that plays like a screeching cat and singing in this mopy, monotonous voice about a girl he once knew, though he never knew a one, if I'm gonna tell ya the truth. Not a one.

So you can see why I'd want him to have gotten himself a lady. And a looker, too. I was feelin' awful proud, and a bit jealous, too, really. I mean, she's really a looker. Last girl I had was pretty enough, but she had nothin' on Cathryn, plus she was ruder than your mother, I swear, and she dumped me real hard, so I could hardly boast about her. There's nothin' wrong with goin' around with you best pal, guys get real jealous when they hear about our lifestyle, they really do. But when the guy you're travelin' with gets himself a girl, a real looker, I mean, and you're just alone with your cigarettes and all– well, you can see why that'd be a problem. Guys'd pat you on the back, still, just like they do now, but their pats would be sympathetic, instead of envious and congratulatory.

Anyway, that didn't turn out to be a problem, though. 'Cause Cathryn wasn't his new lady friend. She was just another boarder.

Boy, was I surprised when I heard that, lemme tell ya. This girl, she really doesn't look like the homeless type. I mean, not at all. Geez.

I don't mind havin' her around, I guess. She's nice, I s'pose, when you get over the idea of havin' conversation. And it doesn't harm a guy to have a real looker to glance at every once in a while; when he wonders why he didn't stay home and settle down with Betty Caulfield; the head cheerleader who once asked him to marry her. Boy, Betty was somethin', all right. It really doesn't hurt a guy at all to have a girl like Cathryn around.

"Don't think you'd be disturbin' us, anyway, even if you did talk a heck of a lot," I say to her now, glancing over at her again as she starts straightening her laces. "When you do talk, it seems like you got nice enough things to say." Cathryn laughs at this, shakin' her head, and looks back out at the road. "I don't have much to say at all," she says, meeting my eyes. I press my lips together and just stare at her for a moment. Then I look back out at the road and see headlights in the distance. "There's Paul," I say, "You ready?" She nods, and we pick up our suitcases and step closer to the road, where Cathryn lines up her Chucks with the edge of the broken gravel.

© 2011

Thursday, November 17, 2011

Breaking Dawn Part 1

So the title of this post.
I'm going to see it tonight.
/tomorrow morning.
...I'm kind of excited.
...and by kind of...
...I mean...
I'M FREAKING OUT RIGHT NOW.

So as for music recs...
1. Breaking Dawn Part 1 Soundtrack
(No, seriously, that soundtrack is beyond-words-brilliant-and-breathtaking. Buy it. Listen to it. Love it.)

And as for movie recs...
1. Breaking Dawn Part 1

And as for book recs...
1. Breaking Dawn by Stephenie Meyer
and also
2. Nattie and Finn by Anande Sjöden
(I had to include that even though this is a Breaking Dawn post because I finished reading that book today and it's the most wonderful thing on the planet after the Bible, the Twilight Saga, Pride and Prejudice, and the Wolves of Mercy Falls Trilogy.)


GO SEE BREAKING DAWN.,
Sienna the Twilighter/Twihard/Twilightaholic/Twilight fan extreme edition
(professional wrestler in all 60 states)

© 2011

Wednesday, November 2, 2011

Paranoid

I hear footsteps and they are following me and they are following me.
"Did you hear that?" I ask her, gripping her shoulder, looking behind us. "No," she says, frowning at me, "What?"
"Someone's following me. Someone is following me." She rolls her eyes, brushing her hair out of her face and moving away from my grasp. "First off, if anyone was following you, they'd be following me, too. As in, they'd be following us." She rolls her eyes and brushes her hair back again, and I wonder for the millionth time how she doesn't cut her forehead with those acrylic nails. It's amazing, she just skims them right across the skin their, like a blade– like a blade, a blade across– a blade across bread. Down bread. Through a loaf of bread. She cuts the bread, but it doesn't bleed. Well...well, I guess that makes sense. Bread doesn't bleed, does it? Huh. No, I don't think bread does bleed. Wait...wait, I remember, someone's following me. "Second of all," she continues, "There is absolutely no one behind us, and I heard nothing at all."
"Someone is following me. And your forehead is not even bleeding."
"What?"
"Wait. That's not bread. It's skin. It is skin! It's skin. Wait, if it's skin, why isn't it bleeding?" She raises an eyebrow at me but says nothing, just speeds up her pace so that I have to walk extra fast to keep up with her. I mean, I have to walk really fast. Really fast. I mean, I'm almost running. I'm not, though. I'm not running. I'm just walking super fast. No, really fast. Really fast. "Slow down," I say as I walk up next to her, "Sloooow down! Slow down. Someone is following me! Why would you... someone is following me, didn't I tell you? Why would you leave me behind when someone is following me?"
"No one is following you. Or me neither."
"Or you neither?" Or her neither. Or her neither? Wait– or her neither? What– oh, no! Someone is following me! I shake her shoulder quick, "Quick," I say, "We gotta...we gotta...walk really...we gotta run! We gotta run!" My eyes are wild and frantic, and she raises her eyebrows again and brushes that hair out of her face with those...acrylic...knife-blade...acrylic nails. Again. Again. "What for?"
"Well, I told you– I mean, I told you...I told you, didn't I? Someone...I mean to say that, someone...I mean..."
"Someone is following you?"
"Someone is following me! Wait! Someone's following me?! Well, why didn't...I mean...I mean, why didn't you tell me? I...we...we better walk really– I mean, we better run! Run, I mean! We really–"
"Aw, shut up, wouldja? No one's following you." I stop dead in my tracks. "Oh my gosh," I say, my eyes wide as I spin around quickly in a circle, "Oh...oh...I mean...oh no!"
"What now?" she asks, irritation coating her...coating...I mean, coating her voice like butter...on...toast...she's not bleeding...Wait! What was that? I hear footsteps and they are following me and they are following me. "Did you hear that?" I ask her, gripping her shoulder, looking behind us.


© 2011

Saturday, October 29, 2011

As

Hardly a flicker on a movie reel, it passes like a brief scratch on a record.
But it was there.
As sure as the sun is in the sky, as sure as the grass will still be green tomorrow, it was there.
His face is composed now, staring at me with a sort of haughtiness, like he is above it all. "Why should this concern me?" he asks, one eyebrow arched like a wave at its height before it crashes and falls to the shore, enveloping your feet. I stare at him, not sure what to say. I could reach out to him, try to coax him, pretending to believe his façade; that my words have no impression on him whatsoever.
But I saw it on his face.
He didn't want me to...
but I did.
He is thrown off by my silence, and another flicker passes over his rough, dark eyes, which so wish to be mysterious and brooding but cannot hide their secrets anymore than the stars can turn off their lights and disappear from the night sky. "None of what you've told me," he says, trying to build back his poker face rather unsuccessfully, "has anything to with me. I'm not sure why you told me at all." And then he laughs, a short, nonchalant thing, but in the laugh for the shortest fraction of a second his voice breaks, and I hear what the laugh is really doing: disguising the tears. Finally, I open my mouth; to be merciful, if nothing else. I can no longer watch this without feeling cruel and sadistic. "I'm sorry," I say to him. His face goes completely blank, only now the blankness is not to hide the flicker of emotion which shown as a lightbulb shines before you flip the switch. Now the blankness is a confusion, a lostness, a desperate cry of, "Everything is gone– what shall I do now?" I feel cruel once again, but there is nothing more I can do for him, and I know that the sooner I am gone, the sooner he can build himself up again. So I turn from him, and even as his arm reaches out to take hold of mine, I do not turn, but stride forward, with a vow as strong as the oath the earth makes that it will continue spinning that I will never look back.


© 2011

Thursday, October 27, 2011

:)

Happiness is catching

It's spreading all around

It reaches out with welcoming arms

And never lets you down

The Joy Disease is spreading

It's moving like the breeze

It's blowing through your hair

And giving you shaky knees

If you see someone smiling

Do not be alarmed

It's one of the many symptoms

And it's aimed at you, so warm

I've got The Optimism

And I believe it's contagious

So stand extra close to me

If you're that courageous

© 2011

She Smiled

It was said that a witch lived in that house.

...it was an unforsaken building, smelling of death and decay.

I’m not sure why we went there.

I said it was empty, but Jimmy insisted there was a ghost.

“There’s no such thing.”

“There is,” he held, “and one lives there. She’ll slay you with her deadly

poisons; laugh as your eyes roll to the back of your head.” I rolled my eyes.

But I glanced back as we walked away…and I saw a rather insalubrious

looking woman pulling back the curtain, who smiled at me before I ran.


© 2011

Written for a hundred-word scary story contest with seven required words. SUPER DIFFICULT.